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About Me.

Since stepping on stage at the age of seven for a community theatre production of "The Music Man" I have been enamored with the magic of theatre. Part of that magic is the intangible connection between audience and production.  Every aspect of production must be scrupulously planned and practiced with care. The managing of a live performance requires effective communication between design teams, crew, performers, often with disparate personalities that require tactful handling. The focus is on the big picture and audience experience, but the success lies in the careful management of the small details. I have trained in a variety of styles and stagecraft techniques, focusing the growth of my career toward directing. I create live events that are energetic, immersive, trashy, silly, and wonderfully joyful. 

Production

Performance

2023    The Code Switch

2022    Love & ROAR!

2022    I'll Drink to That

2021    Fake Off!
2021    Tender Napalm**
2020    Godspell
2019    Space Kümite*
2019    The Heidi Chronicles
2017    Voices
              Rumors*
2016    Urinetown**
2015   A Midsummer’s Night Dream*
             Songs for a New World
2014   The Odd Couple
             Comeback to the Five and Dime, Jimmy Dean,       Jimmy Dean

              Legally Blonde
2013   A Midsummer’s Night Dream
             Love, Loss, and What I Wore

​

2012   Twilight: Los Angeles 1992
2011    Guys and Dolls
2008    Godspell
2007    Sound of Music
2006    Annie
2005    Cats
2004    Music Man

Associate Director

Director

Director

Director
Director
Director
Director
Fran, Betsy
Director/Producer
Assistant Director
Little Sally
Hippolyta
Soloist
Florence

Sissy

 

Paulette
Lysander
Alex's Mother, Rosie, Eve, Liz,and 
Gerilyn
Shelby Coffey, Paul Martinez
Sarah Brown
Chorus
Chorus
Pepper
Chorus
Gracie Shinn

Sisters Freehold/Shakil Jamal

Baltimore Rock Opera Society

Stillpointe Theatre

RHUL Master’s Dissertation 
RHUL/ MAxSW Digital Festival
Memorial Players
Baltimore Rock Opera Society
Salem Players/ Kate Leisner
Wells College Senior Thesis
Wells College/Siouxsie Easter
Wells College/Siouxsie Easter
Wells College/ Siouxsie Easter
St. Timothy’s School/Ryan Haase
St. Timothy’s School/Harvey Doster
St. Timothy’s School/Harvey Doster

 

Pumpkin Theatre/Jimi Kinstle
St. Timothy’s School/Harvey Doster
St. Timothy’s School/Harvey Doster

St. Timothy’s School/Harvey Doster

 

Hamilton Elementary/Middle School
Memorial Players
Memorial Players
Memorial Players
Memorial Players
Memorial Players

Technical

​

2023   The Lights Went Out Because of a Problem

2020    Pop! Who Shot Andy Warhol?
2019    Company
2019    The Wizard of  Oz
2018    Spring Awakening**
2018   Two Plays
             Collabodances
             Stop Kiss
             Dance Collective (2016 & 2017)
2017   Rumors**
2016   Rosencrantz and Guildenstern are Dead
             The Next Journey
             An Appeal to the Woman of the House**
2011   Pantalone Goes a-Wooing

SM

SM/ Lighting Design 
Lighting Design
AD/SM
SM/AD/ Lighting Design
Producer
SM
Props Master
SM
Build Crew Lead
ASM/FOH manager                    
ASM
ASM/Dramaturg

SM

The Acme Corporation/Lola B. Pierson & Jarod Hanson

Stillpointe Theatre/ Ryan Haase
Stillpointe Theatre/ Ryan Haase
Memorial Players/ Stacy Wells
Stillpointe Theatre/ Ryan Haase
Morgan Opera House/ Siouxsie Easter
Wells College/Heather Acomb
Wells College/ Siouxsie Easter
Wells College
Wells College/Patti Goebel (TD/Scenic Designer)
Stillpointe Theatre/Jon Kevin Lazarus

Wells College/Jeanne Goddard
Wells College/Siouxsie Easter

St. Timothy’s School/Harvey Doster

Education

2020-2021

University of London Royal Holloway

Master's of Arts, Distinction in Theatre Directing 

Mentored by Katie Mitchell, OBE

Training: Katie Mitchell Method, Live Cinema, Viewpoints, Stanislavsky, Found space/Digital/Immersive Practices, 20th Century contemporary British and European Theatre, Drag, Camp, Devising

2015-2018

Wells College

Bachelor's of Arts, Distinction in Theatre and Dance; Minor in Business and English

Magna Cum Laude, Phi Beta Kappa

Training: Uta Hagen, Commedia Dell’Arte, Restoration comedy, Modern Dance, Laban Movement Analysis, Improvisation (Harold and Playback), Ancient Greek Drama, Advanced Directing, Stage Management (dance and theatre), Technical Theatre Production, Dramaturgy, Entrepreneurship, Producing and Arts management.

2011-2015

St. Timothy's School

International Baccalaureate Diploma

Training: (IB Higher Level Theatre) Stanislavsky, Existential theatre, Ankoko Butoh

Experience

  • Company Member, Stillpointe Theatre, Baltimore MD, 2019-Current

  • Award winning Director, Actor, Stage Manager, and Designer working in the greater Baltimore area
  • Interim Assistant Director, Bolton Hill Nursery, Baltimore MD, Current

  • English Language Arts Teacher, Woodlawn Highschool, September 2020-March 2022​

  • Administrative Coordinator, SSEI Project, Johns Hopkins University, February 2020-September 2021​

  • Lead Facilitator, Go Tell It! Theatre Camp, Memorial Episcopal Church, Baltimore MD, August 2019​

  • Adjunct Faculty, CCBC Essex, Baltimore MD, Spring 2019 

  • Acting Basics (Adult Education): taught basic acting techniques and vocabulary through a variety of theatrical exercises, including improvisation, the Hagen method, voice, diction and monologues. 
  • Assistant to the Director of Technical Theatre, Wells College, Aurora NY August 2017-May 2018​

  • Teaching Assistant, Wells College, Aurora NY Spring 2018​

  • Workshop Facilitator, New Song Learning Center, Baltimore MD, January 2018​

  •  Administrative Assistant, Stillpointe Theatre, Baltimore MD, May-July 2016​

  • Development Intern, Single Carrot Theatre, Baltimore, MD, March 2014

​​

Volunteer

Reviewer, MD Theatre Guide, Current

Reader, Baltimore Playwrights Festival, 2019-Current

Host, “Secret Cinema”, Virtual 2020-2021

training

Voice for the Actor Work Shop—Wells College, Fall 2017 

Intructor: Bill Daughtery. Vocal technique and vocal safety.

 

Stage Combat Work Shop— Wells College, Fall 2017

Instructor: Jacob Lehman. Basic sword and hand-to-hand combat and safety technique.

 

Advanced Studies in England— Bath, England; Spring 2017 

Coursework in: Late 20th century British drama, film screenwriting, poetry, and literature. Member of the Idle Playthings improv society at Bath Spa University.

​

Single Carrot Youth Conservatory—Baltimore, MD 2012

Advanced coursework in theatre including improv and surrealism. 

 

Baltimore Lyric Opera Camp—Baltimore, MD 2010

Flagship class, training included Alexander technique, music composition, and vocal training.

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